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Instruments of the Orchestra (The) (Siepmann)

Instruments of the Orchestra (The) (Siepmann)


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Category: Music Education
Catalogue No.: 8.558040-46
ISBN No.: 0636943804025
Total Playing Time: 07:55:17

Track Details

Disc 1
Siepmann, Jeremy - author(s)
Instruments of the Orchestra 07:55:17
1 Wagner: Tannhauser: Overture 00:02:06
2 Anonymous: Domna, pos vos ay chausida 00:00:28
3 We don't merely use instruments, we play on them. And they play on us. 00:01:19
4 Brahms: Hungarian Dance No. 7 00:01:39
5 The violin is one of the most tender and beautiful instruments ever invented. 00:00:45
6 Brahms: Violin Concerto in D major: II. Adagio 00:01:08
7 But for a long time it was seen as the instrument of the devil. 00:00:17
8 Stravinsky: The Soldier's Tale: Triumphal March of the Devil 00:00:45
9 The manipulative seductiveness of the gypsy violin 00:00:43
10 Anonymous: Csardas Music 00:03:33
11 The violin and the imitation of nature 00:00:23
12 Vivaldi: The Four Seasons: Spring: I. Allegro 00:00:35
13 Birds are again evoked in the second concerto, especially music's natural favourite. 00:00:09
14 Vivaldi: The Four Seasons: Summer: I. Allegro non molto 00:00:41
15 Like the devil, the violin is a master of disguise. 00:00:18
16 Kreisler: Schon Rosmarin 00:01:55
17 The menacing sensuality of Ravel's Tzigane; a very different side of the violin: 00:00:15
18 Ravel: Tzigane 00:00:51
19 Do we now have the true measure of this instrument? Not just yet. 00:00:15
20 Paganini: Caprice No. 24 00:00:48
21 Bach: Brandenburg Concerto No. 4: III. Presto / Schubert: Quartettsatz in C minor 00:01:57
22 Britten: Variations on a Theme of Frank Bridge: VIII. Moto Perpetuo 00:01:06
23 Prokofiev's tremolo in Romeo and Juliet should not be heard just before bedtime 00:00:22
24 Prokofiev: Romeo and Juliet: Act IV 00:00:46
25 Vivaldi uses it to illustrate the shivering of travellers crossing the ice. 00:00:14
26 Vivaldi: The Four Seasons: Winter: I. Allegro non molto 00:00:57
27 The violin muted 00:00:31
28 Debussy: Clair de lune 00:01:41
29 The gentleness of muted strings persists even when a whole orchestra plays. 00:00:30
30 Mozart: Piano Concerto No. 21 in C major, K. 467: II. Andante 00:01:26
31 The pizzicato violin 00:00:38
32 Strauss: Pizzicato Polka 00:02:29
33 In Prokofiev's Second Violin Concerto, the accompaniment is pizzicato. 00:00:26
34 Prokofiev: Violin Concerto No. 2 in G minor: II. Andante assai 00:02:02
35 Kabalevsky: Colas Breugnon / Warlock: Capriol Suite: III. Tordion / Prokofiev: Romeo and Juliet: Act I 00:03:09
36 Holst: The Planets: I. Mars: The Bringer of War 00:01:27
37 Bach: Sonata No. 3 in C major for unaccompanied violin: II. Fugue 00:02:09
38 Brahms: Hungarian Dance No. 4 00:03:51
39 Double-stopping is a standard feature of a lot of folk music. 00:00:14
40 Vivaldi: The Four Seasons: Autumn: I. Allegro 00:00:37
41 Now the same technique, but the sound might have come from another world. 00:00:30
42 Ravel: Bolero 00:00:49
43 Double-stopping can only approximate the sound of a real violin duet. 00:00:20
44 Joachim: Cadenza to the Violin Concerto by Brahms 00:00:44
45 Now compare that with a real violin duet. 00:00:12
46 Bartok: 44 Duos: I. Teasing Song 00:00:52
47 Another duo by Bartok, demonstrating the violin's rich lower register 00:00:10
48 Bartok: 44 Duos: II. Maypole Dance 00:00:40
49 And now what may be the most beautiful accompanied violin duet in history 00:00:17
50 Bach: Concerto in D minor for two violins: II. Largo ma non tanto 00:06:43
51 The soul of the violin is in song; but what about this weird passage? 00:00:42
52 Prokofiev: Violin Concerto No. 1 in D major: II. Scherzo 00:00:34
53 The use of harmonics in the orchestra can be both magical and unsettling. 00:00:29
54 Mahler: Symphony No. 1, "Titan": I. Langsam, schleppend (opening) 00:01:33
55 Tchaikovsky's use of harmonics in The Sleeping Beauty is both strange and daring. 00:00:11
56 Tchaikovsky: The Sleeping Beauty: Act II, No. 15: Entr'acte 00:00:33
57 Ravel's harmonics in Mother Goose effect a magical transformation. 00:00:29
58 Ravel: Ma Mere l'oye (Mother Goose): IV. Beauty and the Beast 00:00:36
59 Stravinsky: The Firebird: Introduction 00:00:32
60 The natural upper notes of the violins have a unique emotional "grab" 00:00:32
61 Strauss: Also sprach Zarathustra: Of the Afterworldsmen 00:00:55
62 Still in their upper register, the violins unleash the energy of a young colt. 00:00:14
63 Britten: Variations on a Theme of Frank Bridge: V. Aria Italiana 00:01:10
64 Elsewhere, Britten uses the same high register to create a very different mood. 00:00:11
65 Britten: Peter Grimes: 4 Sea Interludes, Op. 33a: I. Dawn 00:01:08
66 To end this outing with the violins, a charming little elfin dance 00:00:12
67 Hellmesberger: Elfenreigen 00:01:29

Disc 2
Siepmann, Jeremy - author(s)
Instruments of the Orchestra 07:55:17
1 Introduction to the viola 00:00:42
2 Telemann: Viola Concerto: I. Largo 00:02:46
3 Khachaturian gets a very different sound from it: fuller, fruitier, more exotic. 00:00:14
4 Khachaturian: Gayane Suite No. 1: III. Armen's Solo 00:01:15
5 Very nearly the whole of the violin's upper register is also available to the viola. 00:00:39
6 Britten: Peter Grimes: Passacaglia, Op. 33b 00:01:00
7 Strauss: Don Quixote 00:01:03
8 Berlioz: Harold in Italy: IV. Orgy of Brigands 00:02:00
9 The muted viola: intimate, gentle, poignant in Dvorak 00:00:34
10 Dvorak: Cypresses: IX. Thou Only Dear One 00:03:00
11 The massed violas of the modern symphony orchestra in Mahler 00:00:40
12 Mahler: Symphony No. 4: III. Ruhevoll, poco adagio 00:01:13
13 The "period" viola in Bach 00:01:05
14 Bach: Brandenburg Concerto No. 6: III. Allegro 00:05:18
15 The cello: a voice of unique nobility 00:00:28
16 Bach: Suite No. 1 for unaccompanied cello: I. Prelude 00:02:30
17 Brahms and the "soul" of the cello 00:00:19
18 Brahms: Piano Concerto No. 2 in B flat major: III. Andante 00:01:04
19 Most orchestral composers tend to emphasise the cello's lower register. 00:00:27
20 Bach: Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu 00:03:03
21 In the time of Beethoven the cello remained as fundamental as ever. 00:00:14
22 Beethoven: Symphony No. 3 "Eroica": IV. Finale 00:00:46
23 But the cello is not condemned to spend its life in the basement. 00:00:33
24 Popper: Elfentanz, Op. 39 00:02:55
25 Not only in recital showpieces like that is the cello used in its highest register. 00:00:10
26 Tavener: The Protecting Veil: opening 00:02:54
27 A cello with an identity-crisis: the pizzicato Flamencan 00:00:15
28 Tagell: Flamenco 00:02:48
29 Double-stopping in the lower reaches of the cello's range 00:00:31
30 Cassado: Solo Suite for Cello and Piano: Sardana 00:01:08
31 It's in its middle register that the cello really comes into its own. 00:00:21
32 Rachmaninov: Oriental Dance, Op. 2, No. 2 00:01:32
33 Beethoven: Symphony No. 5: II. Andante con moto 00:00:54
34 Beethoven: Symphony No. 9: IV. Finale 00:00:54
35 Introduction to the double-bass 00:00:43
36 Saint-Saens: The Carnival of the Animals: The Elephant 00:01:32
37 But the double-bass can be intensely expressive and graceful. 00:00:10
38 Bottesini: Elegy No. 1 in D major 00:02:37
39 Bottesini: Allegro di concerto, "Alla Mendelssohn" 00:00:47
40 Bottesini: Capriccio di bravura 00:04:42
41 Mahler: Symphony No. 1, "Titan": III. Feierlich und gemessen, ohne zu schleppen / Mahler: Symphony No. 3: I. Kraftig 00:01:33
42 Prokofiev: Lieutenant Kije Suite: III. Kije's Wedding / Prokofiev: Romeo and Juliet: Act III 00:02:25
43 Beethoven: Symphony No. 5: III. Allegro 00:01:20

Disc 3
Siepmann, Jeremy - author(s)
Instruments of the Orchestra 07:55:17
1 The antiquity and magic of the flute 00:00:20
2 Debussy: Prelude a l'apres-midi d'un faune 00:03:19
3 The versatility and agility of the flute 00:00:21
4 Bach: Orchestral Suite No. 2 in B minor: VII. Badinerie 00:01:18
5 The flute in fifteenth-century Spain 00:00:24
6 Anonymous: Sa'dawi 00:00:55
7 Other flutes: the bass and alto 00:00:29
8 Sallinen: Chamber Music II 00:01:12
9 The Piccolo - aptly named 00:00:19
10 Rameau: La Naissance d'Osiris: VI. Premier et deuxieme tambourin 00:00:47
11 From a piccolo of the eighteenth century to one of its descendants in the twentieth 00:00:09
12 Stravinsky: Suite No. 2 for Small Orchestra: II. Valse 00:00:54
13 A variety of techniques 00:00:19
14 Sallinen: Chamber Music II 00:00:31
15 Flutter-tonguing. But Tchaikovsky got there eighty years before. 00:00:28
16 Tchaikovsky: The Nutcracker: Act II, No. 2: Scene 00:00:44
17 From the transverse to the vertical: the Baroque recorder 00:00:40
18 Telemann: Recorder Suite in A minor: Menuet II 00:02:12
19 An unfamiliar, early vision of the instrument 00:00:23
20 Baston: Naelden, Naelden 00:01:09
21 The Bachian oboe 00:00:35
22 Bach: Ein feste Burg ist unser Gott, BWV 80: Duetto: Wie selig sind doch die 00:03:34
23 Introduction to the cor anglais or 'English horn' 00:00:41
24 Dvorak: Symphony No. 9, "From the New World": II. Largo 00:01:24
25 The loneliness of the cor anglais 00:00:11
26 Sibelius: The Swan of Tuonela 00:01:49
27 The cor anglais joins the French horn in Haydn. 00:00:17
28 Haydn: Symphony No. 22, "The Philosopher": I. Adagio 00:01:43
29 Introduction to the oboe d'amore, beloved of Bach - but also of Ravel 00:00:22
30 Ravel: Bolero 00:00:50
31 Herrmann: The Egyptian: Violence / Janacek: Taras Bulba: The Death of Ostap 00:00:37
32 Stravinsky: Petrushka: Peasant with Bear / Berlioz: Symphonie fantastique: V. Songe d'une nuit / Prokofiev: Romeo and Juliet: Act II 00:01:38
33 As the high clarinets tend to be loud, so the bass tends to be soft 00:00:18
34 Khachaturian: Gayane Suite No. 1: V. Gayane's Solo 00:00:54
35 Stravinsky: Petrushka: The Blackamoor / Albeniz: Iberia: Almeria 00:01:44
36 The range of the normal clarinet parts goes quite high... 00:00:14
37 Tchaikovsky: The Snow Maiden: Scene 5: Melodrama 00:01:17
38 ....and quite low. 00:00:05
39 Prokofiev: Peter and the Wolf: The Cat 00:00:45
40 The clarinet as concerto soloist 00:00:19
41 Mozart: Clarinet Concerto in A major: III. Rondo 00:02:48
42 But that's not the instrument Mozart wrote it for; this is: 00:00:16
43 Mozart: Clarinet Concerto in A major: III. Rondo 00:02:47
44 Introduction to the saxophone 00:02:47
45 Kodaly: Hary Janos Suite: IV. The Battle and Defeat of Napoleon 00:01:03
46 The soprano saxophone has quite a different feel to it 00:00:09
47 Bizet: L'Arlesienne Suite No. 1: II. Minuet 00:01:17
48 The little sopranino sax goes even higher 00:00:12
49 Ravel: Bolero 00:00:53
50 The most famous use of the saxophone is in an orchestration by Ravel 00:00:16
51 Mussorgsky: Pictures at an exhibition: The Old Castle 00:00:55
52 The saxophone can be quite contagiously good-humoured. 00:00:11
53 Wiedoeft: Sax-o-phun 00:00:22
54 The puffa-puffa image of the bassoon 00:00:25
55 Prokofiev: Peter and the Wolf: Grandfather 00:00:46
56 The Bachian bassoon, in accompanimental mode 00:00:20
57 Bach: Weicher nur, betrubte Schatten, BWV 202, "Wedding Cantata": Aria No. 1 00:01:19
58 Bizet: Carmen Suite No. 1: V. Les Dragons d'Alcala 00:00:56
59 And Ravel, also in Spanish mode, does likewise 00:00:16
60 Ravel: Bolero 00:00:59
61 The bassoon as a voice of high seriousness, indeed desolate loneliness 00:00:15
62 Bax: Symphony No. 3: I. Lento moderato 00:01:03
63 The eerie bassoon in its highest register 00:00:15
64 Stravinsky: The Rite of Spring: opening 00:00:58
65 Stravinsky now draws on its lowest register, lonely and melancholy. 00:00:21
66 Stravinsky: The Firebird Suite (1919): Berceuse 00:01:01
67 The bassoon as concerto soloist, avoiding all exaggeration 00:00:14
68 Molter: Bassoon Concerto in G minor: III. — 00:02:02
69 The deep-voiced contra-bassoon, as a fairy-tale beast 00:00:28
70 Ravel: Ma Mere l'oye (Mother Goose): IV. Beauty and the Beast 00:01:30
71 The French Horn under its woodwind hat 00:00:25
72 Nielsen: Wind Quintet, Op. 43: III. Praeludium - Tema con variazioni 00:01:42
73 Now a more prominent role, in a woodwind quintet from an earlier era 00:00:12
74 Reicha: Wind Quintet in A minor, Op. 100, No. 5: II. Andante con variazioni 00:01:32
75 The horn in harmonious blend with strings in another quintet 00:00:16
76 Mozart: Horn Quintet in E flat major, K. 407: III. Rondeau 00:03:55

Disc 4
Siepmann, Jeremy - author(s)
Instruments of the Orchestra 07:55:17
1 The Trumpet as virtuoso soloist 00:01:02
2 Bach: Brandenburg Concerto No. 2: III. Allegro assai 00:02:37
3 The special brilliance of paired trumpets 00:00:19
4 Vivaldi: Concerto in C for two trumpets, RV 537: I. Allegro 00:02:54
5 The ceremonial trumpet 00:00:36
6 Copland: Fanfare for the Common Man 00:01:25
7 Trumpets and drums - an incomparable alliance 00:00:34
8 Handel: Messiah: The Trumpet Shall Sound 00:04:10
9 The versatility of the trumpet, from the most public to the most lonely 00:00:38
10 Gershwin: Piano Concerto in F: II. Andante con moto - Adagio 00:01:14
11 Gershwin: An American in Paris / Stravinsky: The Soldier's Tale: The March 00:02:05
12 Bizet: Carmen Suite No. 2: II. Habanera 00:00:55
13 The trumpet as the voice of strength and courage 00:00:13
14 Bizet: Carmen Suite No. 2: IV. Toreador's Song 00:02:20
15 Stravinsky: Petrushka: The Blackamoor / Prokofiev: Lieutenant Kije Suite: I. The Birth of Kije 00:01:14
16 Copland: Billy the Kid 00:01:16
17 The trumpet as character actor 00:00:31
18 Mussorgsky: Pictures at an Exhibition: Samuel Goldenberg and Schmuyle 00:02:25
19 The trumpet as the voice of God 00:00:15
20 Bach: Mass in B minor: Et expecto 00:04:35
21 The birth of the trombone 00:00:38
22 Anonymous: Aenmerckt nu hier 00:01:36
23 The birth of the brass as a family 00:01:24
24 Gabrieli: Canzon a 12 in Double Echo 00:03:18
25 The trombone in the eighteenth century 00:00:36
26 Albrechtsberger: Trombone Concerto in B flat major: III. Finale 00:03:06
27 Hoser: Romance for trombone and organ / Berlioz: Requiem: Dies Irae 00:02:18
28 Liszt: Hosannah, S677/R409 00:01:20
29 The trombones become part of the orchestra 00:00:47
30 Beethoven: Symphony No. 5: IV. Allegro 00:02:46
31 Wagner: Tannhauser: Overture 00:01:04
32 The Trombone as caricaturist 00:00:13
33 Stravinsky: Pulcinella: No. 19: Vivo 00:01:37
34 Bartok: Concerto for Orchestra: IV. Intermezzo interrotto 00:01:46
35 The horn and the hunt 00:00:40
36 Mozart: Horn Concerto No. 4 in E flat, K. 495: III. Rondo 00:03:39
37 The challenging horn of the Baroque 00:00:42
38 Rameau: Abaris ou les Boreades: II. Menuet 00:01:20
39 The scarcity of first-rate players in Handel's time 00:00:24
40 Handel: Water Music: Suite No. 1 in F major, HWV 348: Menuet 00:01:57
41 Stravinsky: The Firebird Suite (1919): Finale 00:00:59
42 Horns and the sound of nobility 00:00:12
43 Wagner: Tannhauser: Overture (opening) 00:00:56
44 The special sound of the horn in its higher register 00:00:11
45 Bach: Mass in B minor: Quoniam tu solus sanctus 00:04:15
46 The trumpet-like sound of massed horns 00:00:21
47 Mahler: Symphony No. 3: I. Kraftig (opening) 00:00:38
48 The tuba - unfairly maligned? 00:00:49
49 Prokofiev: Symphony No. 6: III. Vivace 00:01:07
50 The tuba perfectly cast by Ravel 00:00:26
51 Mussorgsky: Pictures at an Exhibition: Bydlo 00:03:00

Disc 5
Siepmann, Jeremy - author(s)
Instruments of the Orchestra 07:55:17
1 Introduction. And we begin with a bang. 00:01:02
2 Copland: Fanfare for the Common Man / Beethoven: Wellington's Victory, Op. 91 (opening) 00:01:03
3 At the opposite extreme is the triangle. 00:00:26
4 Liszt: Piano Concerto No. 1 in E flat major: Scherzo 00:01:21
5 Categories of percussion: tuned and untuned. The side drum 00:00:36
6 Rossini: La gazza ladra (The Thieving Magpie): Overture (opening) 00:00:52
7 Nielsen: Clarinet Concerto (opening) 00:01:08
8 The tambourine. One of the oldest instruments in the world 00:00:21
9 Anonymous: Den hoboecken dans 00:01:43
10 Even older is the originally oriental gong. 00:00:28
11 Ravel: Ma Mere l'oye (Mother Goose): Laideronette 00:01:00
12 Britten: Peter Grimes: Passacaglia, Op. 33b 00:01:00
13 Satie: Gymnopedie No. 2 00:01:02
14 Elgar: The Sanguine fan / Cymbals clashed softly / Cymbals struck singly / Cymbals stroked with wire brushes 00:01:28
15 Ravel: Piano Concerto in G major (opening) / Tchaikovsky: The Nutcracker: Act I Scene 5 00:01:05
16 Wood blocks 00:00:31
17 Copland: Rodeo: IV. Hoe-Down 00:00:44
18 Glinka: Jota aragonesa 00:01:09
19 Monteverdi: Scherzi musicali: Damigella tutta bella 00:01:50
20 A still earlier example from fifteenth-century Spain 00:00:30
21 Traditional: Yo m'enamori d'un aire 00:01:06
22 The birth of the bongo 00:00:33
23 Bernstein: West Side Story (Symphonic Dances) 00:01:39
24 Verdi: II Trovatore: Act II: Anvil Chorus 00:01:08
25 Grofe: Grand Canyon Suite: III. On the Trail / Varese: Arcana 00:01:27
26 Moncayo: Huapango 00:01:20
27 Onwards to the tuned percussion. First, the timpani 00:00:14
28 Strauss: Also sprach Zarathustra: Introduction 00:01:48
29 Mahler: Symphony No. 2, "Resurrection'": III. In ruhig fliessender Bewegung 00:00:29
30 Grofe: Grand Canyon Suite: I. Sunrise / Berlioz: Symphonie fantastique: V. Songe d'une nuit de Sabbat 00:00:37
31 Taking advantage of tunability 00:00:22
32 Bartok: Music for Strings, Percussion and Celesta: II. Allegro 00:02:25
33 Shchedrin: Carmen Suite: IV. Changing of the Guard 00:01:01
34 Shchedrin: Carmen Suite: V. Carmen's Entrance and Habanera 00:01:15
35 Saint-Saens and the xylophone 00:00:16
36 Saint-Saens: The Carnival of the Animals: Fossils 00:01:18
37 Ravel and the xylophone 00:00:11
38 Ravel: Ma Mere l'oye (Mother Goose): Laideronette 00:02:37
39 Shchedrin: Carmen Suite: III. First Intermezzo 00:00:38
40 Introducing the vibraphone 00:00:20
41 Steiner: The Treasure of the Sierra Madre: Narange dolce 00:01:25
42 Shchedrin: Carmen Suite: V. Carmen's Entrance and Habanera 00:00:57
43 Introducing the Hungarian cimbalom 00:00:23
44 Traditional: Folk Dances 00:03:00
45 The cimbalom and the symphony orchestra 00:00:10
46 Kodaly: Hary Janos Suite : III. Song 00:01:30
47 Introducing the tubular bells 00:00:17
48 Kodaly: Hary Janos Suite: II. Viennese Musical Clock 00:02:04
49 A more "up-front" approach from Rodion Shchedrin 00:00:06
50 Shchedrin: Carmen Suite: I. Introduction 00:01:08
51 Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude 00:00:38
52 Introducing the celesta 00:00:14
53 Tchaikovsky: The Nutcracker: Dance of the Sugar Plum Fairy 00:02:10
54 Magic, in the use of collective percussion 00:00:19
55 Ravels: Miroirs: V. La vallee des cloches 00:01:39
56 Shchedrin: Carmen Suite: VI. Scene 00:01:25
57 Tchaikovsky: The Nutcracker: Act II: Scene / Liszt: Hungarian Rhapsody No. 1 00:01:16
58 The traditionally subservient role of the harpsichord in the Baroque orchestra 00:00:48
59 Bach: Brandenburg Concerto No. 2: II. Andante 00:03:11
60 Saint-Saens: Symphony No. 3, "Organ": II. Allegro moderato 00:01:28
61 Stravinsky: Petrushka: Russian Dance 00:01:28
62 The anti-Romantic piano as an integral part of the orchestra 00:00:23
63 Bartok: Music for Strings, Percussion and Celesta: IV. Allegro molto 00:05:06

Disc 6
Siepmann, Jeremy - author(s)
Instruments of the Orchestra 07:55:17
1 Keyboard instruments in the orchestra - the most powerful of them all: 00:00:18
2 Saint-Saens: Symphony No. 3, "Organ": II. Presto 00:01:49
3 But things in Handel's day were very different. 00:00:15
4 Handel: Organ Concerto in B flat major, Op. 4, No. 3: IV. Gavotte 00:03:44
5 The organ is difficult to classify. 00:00:24
6 An unexpected, organ-related guest 00:00:14
7 Boismortier: Concerto pour Zampogna: III. Allegro 00:00:14
8 Peasant-fancying… and a touch of the roaming cowboy 00:00:40
9 Schoenberg: Les Miserables: Drink with Me 00:01:02
10 Mozart: German Dance, K. 603, No. 3 00:01:16
11 Mahler: Symphony No. 4: I. Bedachtig, nicht eilen 00:00:47
12 Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig 00:00:53
13 Anderson: The Typewriter / Satie: Parade 00:02:46
14 Varese: Integrales / Gershwin: An American in Paris / Anderson: Sandpaper Ballet 00:02:35
15 Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude 00:01:42
16 Strauss: Don Quixote: Variation VIII 00:01:13
17 Rodrigo: Concierto de Aranjuez: III. Allegro gentile 00:00:56
18 Seeger / Hays: Washington Breakdown 00:00:19
19 Steiner: The Treasure of the Sierra Madre: Packing Up 00:00:18
20 Prokofiev: Romeo and Juliet: Act II: No. 14 00:00:13
21 Steiner: The Treasure of the Sierra Madre: EI Desayuno 00:00:18
22 The bongos and the congas and a whole wealth of other drums from Africa and Central America 00:00:26
23 Evening Raga: Bhapoli 00:00:17
24 Ferre: Paris cancaille 00:00:20
25 Karas: The Third Man: Theme 00:00:25
26 Traditional: Folk Dances 00:00:21
27 Albeniz: Rondena 00:01:20
28 Traditional: Svetit Mesiats 00:01:02
29 Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude 00:01:27
30 Debussy: Nocturnes: III. Sirenes 00:04:15
31 Instruments and the imitation of nature. The clarinet as cuckoo 00:01:46
32 Saint-Saens: The Carnival of the Animals: The Cuckoo 00:01:46
33 The flute as an all-purpose aviary 00:00:14
34 Saint-Saens: The Carnival of the Animals: The Aviary 00:01:08
35 The oboe as duck 00:00:36
36 Prokofiev: Peter and the Wolf: The Duck 00:01:55
37 The recording of reality. Does it work as well? 00:00:12
38 Respighi: The Pines of Rome: III. The Pines of the Janiculum 00:01:17
39 The recording of reality electronically reborn in new guises 00:00:32
40 Rautavaara: Cantus Arcticus, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy) 00:01:12
41 Beethoven turns avian: cuckoo, nightingale, and quail 00:00:26
42 Beethoven: Symphony No. 6, "Pastoral": II. Szene am Bach 00:01:12
43 Some importable casting: the violin as braying donkey 00:00:33
44 Saint-Saens: The Carnival of the Animals: Persons with Long Ears 00:00:47
45 A truly orchestral hee-haw to be reckoned with 00:00:09
46 Mendelssohn: A Midsummer Night's Dream: Overture 00:00:29
47 A thunderstorm in a million 00:00:17
48 Beethoven: Symphony No. 6, "Pastoral": IV. Gewitter, Sturm 00:03:57
49 The instrumental depiction of a silent world 00:02:07
50 Saint-Saens: The Carnival of the Animals: The Aquarium 00:02:20
51 Saint-Saens' menagerie takes a curtain call 00:00:24
52 Saint-Saens: The Carnival of the Animals: Finale 00:02:09

Disc 7
Siepmann, Jeremy - author(s)
Instruments of the Orchestra 07:55:17
1 The grouping of instrumental families. An additive approach. First, two violins. 00:01:20
2 Bartok: 44 Duos: IV. Midsummer Night Song 00:00:47
3 A greater contrast, of both pitch and character, violin and viola 00:00:27
4 Mozart: Duo for Violin and Viola in B flat major, K. 424: finale: variations 1 and 2 00:02:18
5 Arrival at the standard string trio: violin, viola and cello 00:00:12
6 Schubert: String Trio in B flat major: III. Menuetto 00:01:09
7 The string quartet: two violins, viola and cello 00:00:12
8 Beethoven: String Quartet in F major, Op. 18, No. 1: III. Scherzo 00:01:53
9 The string quintet - when the extra instrument is a second viola 00:00:30
10 Mozart: String Quintet No. 5 in D major, K. 593: II. Adagio 00:02:21
11 The string quintet - when the extra instrument is a second cello 00:00:19
12 Schubert: String Quintet in C major: III. Scherzo 00:02:12
13 The string sextet: two violins, two violas, and two cellos 00:00:16
14 Brahms: String Sextet No. 1 in B flat major: II. Andante ma moderato 00:01:27
15 The string octet: the standard string quartet times two 00:00:20
16 Mendelssohn: Octet in E flat major, Op. 20: movement 1 00:02:16
17 Double the string octet: a fully fledged string orchestra 00:00:15
18 Mendelssohn: String Symphony No. 2: III. Allegro vivace 00:02:12
19 The massed strings of a symphony orchestra 00:00:37
20 Vaughan Williams: Fantasia on a Theme of Thomas Tallis 00:02:58
21 Contrasts of pitch and instrumental 'colour' in the woodwind section 00:00:44
22 Reicha: Wind Quintet in A minor, Op. 100, No. 5: Theme 00:01:10
23 In the First Variation it's the horn that gets the lion's share 00:00:05
24 Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 1 00:01:28
25 In Variation Two the torch is handed to the bassoon 00:00:07
26 Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 2 00:01:08
27 In Variation Three the oboe leads 00:00:13
28 Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 3 00:01:12
29 Variation Four: conversation before returning to a solo-dominated texture 00:00:07
30 Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 4 00:01:17
31 And Variation Five is dominated by the clarinet 00:00:04
32 Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 5 00:01:12
33 The next to be featured is the virtuoso flute. 00:00:07
34 Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 6 00:01:22
35 Individual farewells and a closing chorus 00:00:19
36 Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 7 00:00:40
37 A mixed group: clarinet, bassoon, horn, string quartet, and double-bass 00:00:19
38 Schubert: Octet in F major, D. 803: III. Trio 00:02:01
39 The early classical symphony orchestra of Haydn and Mozart 00:00:34
40 Mozart: Symphony No. 29 in A major, K. 201: IV. Allegro con spirito 00:03:32
41 Strings, wind, but no brass. What Haydn and Mozart never knew 00:00:34
42 Gabrieli: Canzon 28 00:01:39
43 Beethoven's Fifth: two horns, two trumpets, and three trombones join the team 00:00:58
44 Beethoven: Symphony No. 5: IV. Allegro 00:04:28
45 From Beethoven to the massive orchestras of Berlioz, Wagner, and Mahler 00:00:27
46 Beethoven changed the face of the symphony and the orchestra forever. 00:00:47
47 Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig 00:01:44
48 The cult of orchestral elephantiasis reaches its peak 00:01:04
49 Brian: Symphony No. 1, "Gothic": VI. Te ergo quaesumus 00:01:43
50 When large doesn't necessarily mean loud: Debussy 00:01:10
51 Debussy: Images: I. Gigues 00:01:50
52 A crisis of confidence; the orchestra's survival hangs in the balance, but it still develops. The ondes martenot: 00:02:41
53 Messiaen: Turangalila Symphony: II. Chant d'amour I 00:01:14
54 The advent of the "early music" movement brings a new vitality and freshness 00:00:57
55 Lully: Ballet de Xerxes: Gavotte en rondeau 00:00:47
56 Computer and synthesiser: friends or foes? 00:01:35
57 Bach: Concerto in D minor for two violins: II. Largo ma non tanto 00:02:13
58 Bach: Mass in B minor: Dona nobis pacem 00:03:24